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Not much later, Robert joined Jason, John and Tim as a member of YATE. Robert moved to the Phoenix area and they meet for the first time over the phone. Paxton knew Jason was involved in a program at Arizona State University West called the IAP (Interdisciplinary Arts and Performance) working with sound and tech guru Richard Lerman and had suggested the program to Robert. Jason later meet Robert Kilman in 2002/2003 through their mentor and professor Dr.

Playing together so much, they began to move and operate as one or playing off each other as if they knew the thoughts or felt the others. In addition to this, each would have a mixer to set and/or operate and these three would go to one where more levels of effects, balancing, levels etc could be controlled or allowed to go out of control. The 3 members continued to create this sound and feel by adding and mastering more instruments, devices, and effects each would play.

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In the earlier performances and recordings, the amount of people, their skill and instruments helped progress the waves of chaos, improv and wall of sound music they wanted to create and the controlled order came through Pekowski's mixerboard wizardry, plus the addition of some more effects from there to either mold and guide or send the sound into the infinite loop and feedback/delay zone of beautiful noise. As a 3 piece the sound of YATE was not too affected by not having the additional musicians. John and Tim later moved to the Phoenix area and the project continued. John and Tim were doing the same and all 3 were communicating and sending material back and forth. During this time, Jason was going through the mass amounts of recorded material (at this time probably 20-30 hrs of recorded improv) and working on editing and remixing YATE material to release. This project consisted of doing a set of live performance experiments involving music, audience participation, visuals and different acoustic spaces (a choral chamber, studio, and Omnimax dome theater). He was also still working with Tim and John as a part of YATE and traveled back to Lubbock for some performances and recordings, including Tim's Master's Thesis project. Jason moved to the Phoenix, Arizona area in 2000 and continued doing solo work in his home studio to release as Deserts of Sound. This project soon became YATE, which over time involved up to 8+ musicians during some performances and had a rotating line up over time and many guest musicians as part of the 'experiment'. Immediately that night after the performance, they began planning to work together and start doing experimental studio recordings of these live improvised sets. Jason had attended a performance at a local Jazz coffee/martini bar by mere coincidence and happened to catch a performance of this electro-acoustic experimental group and recognized John. Steven Paxton, along with Graduate student Tim Seversen and a rotating group of musicians, which had all been performing live improvised sets at various bars and underground venues. (info from the3rd2nd netlabel website)ДЄround 1999 in Lubbock, TX, Jason Landers began working with John Pekowski, a fellow Texas Tech University ex-student and protege of Dr.

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Their use of the grand narrative device вЂњThe RAETHIER CorporationвЂќ (a time traveling company that produces the machines that create perception) unites much of their larger efforts, informing such projects as their eight part series The CenterPoint Episodes (2004) and their multimedia installation Corposition (2006). Working in the tradition of experimental electronic media, YATE combines aural structures, bizarre dreamlike imagery and synthesized narratives to create psychedelic artifacts of texture and tone.

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Their use of the grand narrative device вЂњThe RAETHIER CorporationвЂќ (a time traveling company that produces the machines that create perception) unites much of their larger efforts Read Full Bio YATE is a sound and video collective based in the Phoenix, Arizona metro area. YATE is a sound and video collective based in the Phoenix, Arizona metro area.